“Brokeback Mountain,” a film that took the world by storm upon its release in 2005, has recently been re-released to commemorate its 20th anniversary. Directed by Ang Lee and featuring stellar performances by Heath Ledger and Jake Gyllenhaal, this film isn’t merely a love story; it represents a paradigm shift in the way we discuss
Entertainment
In the ever-evolving landscape of film profit calculations, the traditional box office numbers no longer define success as they once did. This reality is starkly highlighted by Deadline’s Most Valuable Blockbuster tournament, which reveals how critical it is to take downstream revenues and diverse release platforms into account. In 2024, cinema enthusiasts are witnessing a
Disney’s recent decision to postpone the release of James L. Brooks’ “Ella McCay” from September 19 to December 12 speaks volumes about the studio’s understanding of the competitive landscape within Hollywood. By moving the film into a more advantageous position, Disney is not merely rescheduling; it’s engaging in a high-stakes strategic maneuver tailored for awards
In an era where streaming platforms are reshaping the entertainment landscape, the return of Deadline’s Most Valuable Blockbuster tournament underscores an essential truth: the financial narrative of films extends well beyond initial box office takings. While film studios like Disney, Warner Bros, and Universal may crunch numbers primarily based on ticket sales, they’re increasingly recognizing
In a cinematic landscape inundated with sanitized portrayals of history, “Sisu” stands apart, bringing a raw and unfiltered depiction of World War II. The sequel, once again helmed by Finnish director Jalmari Helander, promises to further explore the harrowing aspects of wartime conflict. What sets this film apart from others attempting to tackle the same
In an unpredictable global landscape, Imax CEO Rich Gelfond’s confident assertions during the recent earnings call shed light on his belief in the company’s robust position. While the growing turbulence from trade tariffs and geopolitical tensions presents a formidable challenge, Gelfond emphasizes that the core fundamentals of Imax’s business have never been stronger. Interestingly, while
Universal Pictures has taken a bold step forward by scheduling the release of “Italianna” for April 10, 2026. Directed by the capable Kat Coiro, this film signifies more than just another entry in the crowded cinematic landscape; it represents a shift towards more original storytelling. Screenwriter Ryan Engle, known for his creative flair, teams up
In a surprising twist within the film industry, “Sinners” has managed a remarkable box office performance, raking in an impressive $48 million during its opening weekend. Expected projections had deemed the film would max out at a mere mid-$30 million. But how did this movie, initially viewed with skepticism, achieve such success in a genre
Easter weekend is historically significant for film audiences, but this year particularly spotlighted the growing influence of faith-based cinema. Films like Angel Studios’ *The King Of Kings*, which grossed an impressive $17.3 million in its second week, are flourishing in a space typically dominated by conventional indie productions. This success, with a cumulative total of
Warner Bros’ ambitious venture into the vampire genre with “Sinners,” crafted at an impressive budget of over $90 million, has stirred the cinematic landscape, especially given its initial box office performance. Surpassing $4.7 million during Thursday night previews starting at 3 PM is commendable, though the accolade may not be as shiny when juxtaposed with