Neon, the film distribution company known for its audacious choices and compelling narratives, has distinguished itself once again with the success of *Anora*, which garnered significant acclaim at the recent Academy Awards. Following an impressive streak of five consecutive Palme d’Or wins at the Cannes Film Festival, Neon’s momentum was epitomized when *Anora* not only
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Bong Joon-ho, the acclaimed director celebrated for his Oscar-winning film *Parasite*, has once more captivated audiences with his new sci-fi epic, *Mickey 17*. The film made its explosive debut in South Korea, where it amassed an impressive estimated $9 million over the four-day weekend that included the nation’s Independence Day holiday. This stellar opening not
The weekend’s box office returns reveal a dual narrative: while the year-to-date revenues have crossed the $1 billion mark, the present weekend has brought forth a rather tepid $55.5 million. This figure positions it as one of the weakest weekends so far this year, barely surpassing the Super Bowl low. This article seeks to delve
This weekend, Focus Features launches its thriller *Last Breath*, starring Woody Harrelson and Simu Liu, amidst significant anticipation as the film aims for a dramatic debut. The release has generated considerable buzz, racking up a commendable $1 million from advance screenings across 2,475 theaters. This figure reflects a strong initial interest in the movie, which
Mubi is set to unveil its latest cinematic gem, “Magic Farm,” featuring renowned actors Chloë Sevigny, Alex Wolff, and Camila del Campo, beginning April 25 in New York City at the Angelika Theatre. This strategic rollout plan showcases Mubi’s intent to not just distribute a movie, but to create an event around its release. Following
Disney Animation has always held a special place in the hearts of audiences worldwide, yet its decision-making, particularly concerning the sequel to its beloved film “Moana,” reveals an evolving understanding of the market dynamics. Initially planned for a release on Disney+, the anticipated “Moana 2” will finally make its theatrical debut on March 12, marking
In an intriguing move within the cinematic landscape, Sony and Marvel Studios have postponed the release of their upcoming Spider-Man film featuring Tom Holland, shifting it from July 24 to July 31, 2026. While this might seem like a minor adjustment, the implications of this change reflect a deeper strategic consideration within the competitive realm
As the awards season reaches a crescendo, independent cinema is witnessing a quiet yet significant moment in its evolution. With the Academy Awards fast approaching on March 2, 2024, theaters are currently filled with contenders vying for the attention of critics and viewers alike. The recent Sundance Film Festival and the upcoming South by Southwest
The horror film genre has been thriving in the last few months, with numerous releases captivating audiences and generating significant box office returns. Among these, Neon’s latest offering, “The Monkey,” stands out as it approaches the potential to become the highest-grossing horror film of the year to date (YTD). With projections estimating an opening weekend
In a recent update to Wall Street, IMAX CEO Rich Gelfond shared insights that indicate the company is entering a pivotal phase for its brand and operations. While enthusiasm surrounds their recent agreement with Netflix for a unique two-week screening of Greta Gerwig’s “Narnia” beginning Thanksgiving 2026, Gelfond has tempered expectations regarding a flurry of