Entertainment

Sony’s “28 Years Later” has made quite the impression, raking in over $5 million in preview grosses, signaling a robust audience desire for horror. However, it’s not just a matter of raw numbers; the context matters significantly. A slight comparison with New Line’s “Final Destination: Bloodlines,” which captured $5.5 million in previews, allows one to
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In an age characterized by the fragility of democracy and rising authoritarianism, the upcoming release of James Vanderbilt’s film “Nuremberg” serves not merely as cinematic entertainment but as a clarion call to society. Set against the backdrop of one of history’s most notorious and consequential trials, the film delves deep into the psychological warfare faced
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In a world obsessed with superficial leadership and fleeting fame, the documentary *Prime Minister* emerges as a rare portrait of true political resilience. Centered on Jacinda Ardern’s extraordinary tenure, this film refuses to pander to shallow narratives that often dominate political discourse. Instead, it offers a raw, intimate portrayal of a leader who navigated tumultuous
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Ballerina, the much-anticipated spin-off from the John Wick franchise, is poised to hit theaters with previews projected between $3.5 million and $4 million. While these numbers seem promising at first glance, they mask deeper concerns that could impact its overall success. With industry analysts eyeballing an opening weekend goal of $30 million, it’s important to
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The recent surge in ticket pre-sales for Sony Pictures’ upcoming film, *28 Years Later*, has sent shockwaves through the entire entertainment industry. In just the first day of ticket availability, it has become the most successful horror film at pre-sales, eclipsing titans like *Sinners* and *Final Destination: Bloodlines*. What makes this monumental achievement so intriguing
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Disney’s live-action adaptation of Snow White, starring Rachel Zegler, faced scrutiny before it even hit the theaters. The political and cultural backdrop for this film has become as layered as its storyline itself. From casting choices to its perceived progressive take on a classic fairy tale, disappointment among purists and fervent defenders alike has colored
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The recent passage of SB630 and AB1138 by the California Legislature represents a significant attempt to revitalize the state’s once-dominant film and television industry. While proponents celebrate this as a necessary step, the reality is more complex and potentially disappointing. Legislative measures can often become bogged down in political maneuvering, and this particular initiative has
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