The pandemic dealt a mighty blow to the movie industry, and recovering from it has prompted cinemas to rethink their entire business model. What we are witnessing today isn’t merely a comeback; it’s a transformation of how we view and engage with cinema. Established chains are no longer satisfied with the traditional model of just
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In an unexpected leap of faith, Sony Pictures has shifted the release date of its upcoming romance drama, A Big Bold Beautiful Journey, from May 9 to September 19. While some might see this as a simple delay, I argue that it displays a shrewd understanding of the cinematic landscape. If one looks closely, this
“The 4 Rascals” (Bo Tu Bao Thu) is reshaping how we perceive Vietnamese cinema, clearly signaling its elevation to global recognition. The film’s performance—crossing 100 billion VND ($4M) within just three days of its release—is nothing short of sensational. It’s a powerful reminder that local narratives can resonate internationally, breaking through barriers that once made
The world of cinema is a dynamic and fluctuating landscape where the success of a movie can hinge on a myriad of factors. In recent times, the international release of director Bong Joon-ho’s latest sci-fi effort, Mickey 17, has sparked much discussion. With a healthy global total of $53.3 million in its opening weekend, one
The recent success of “Bridget Jones: Mad About the Boy,” which has eclipsed the $100 million mark at the international box office, embodies a glimmering hope for the romantic comedy genre, yet it serves as a complex catalyst for introspection within Hollywood. The genuinely relatable nature of Bridget Jones, portrayed once again by Renée Zellweger,
The news of Sarah Timlick’s recent appointment as Amazon MGM Studios’ Head of Theatrical Distribution in Canada is not just a milestone for the executive herself; it signifies a pivotal moment for the streaming giant’s strategy regarding international film markets. With a strong background in Canadian film distribution, Timlick’s hiring is expected to transform how
The recent performance of “Ne Zha 2,” distributed by CMC Pictures, chronicles an exhilarating moment in film history where a foreign title captivates even the sturdiest audiences in the United States. With a remarkable domestic gross of $2.9 million this past weekend, pushing its cumulative take to $17.95 million, this animated tale has not only
Celine Song’s upcoming film “Materialists,” slated for a nationwide release on June 13, is shaping up to be more than just another romantic comedy. With a narrative that explores the complexities of love through the lens of a young and ambitious matchmaker, the film promises to unravel the intricate fabric of modern relationships. Dakota Johnson,
Neon, the film distribution company known for its audacious choices and compelling narratives, has distinguished itself once again with the success of *Anora*, which garnered significant acclaim at the recent Academy Awards. Following an impressive streak of five consecutive Palme d’Or wins at the Cannes Film Festival, Neon’s momentum was epitomized when *Anora* not only
Bong Joon-ho, the acclaimed director celebrated for his Oscar-winning film *Parasite*, has once more captivated audiences with his new sci-fi epic, *Mickey 17*. The film made its explosive debut in South Korea, where it amassed an impressive estimated $9 million over the four-day weekend that included the nation’s Independence Day holiday. This stellar opening not