As the film industry gears up for the annual Academy Awards, audiences are treated to an intriguing lineup of films that exemplify creativity and storytelling. Among these, Matthew Rankin’s “Universal Language” stands out, along with the spectacular Chinese animated film, “Ne Zha 2.” The diverse array of film offerings also includes the much-anticipated return of Oscar-nominated shorts, fostering a rich cinematic culture across North America.
Canadian filmmaker Matthew Rankin has made waves with his uniquely engaging feature, “Universal Language,” which has already impressed audiences at prestigious festivals like Cannes and TIFF. The film, which debuted in select screens across New York and Los Angeles, is described by Oscilloscope’s Andrew Carlin as a project that defies easy categorization. Such a characteristic, while challenging for some, can serve to broaden its appeal, particularly among cinephiles seeking films that blur traditional genre lines.
Set against a surreal backdrop that juxtaposes Tehran and Winnipeg, “Universal Language” interweaves the stories of disparate characters, including two schoolchildren who encounter money frozen in the ice, and a disillusioned bureaucrat on a quest to reconnect with his roots. The eclectic narrative invites viewers to navigate themes of longing and connection through a lens of quirkiness and charm. The film’s content and Rankin’s artistry gained it a notably high score of 97% on Rotten Tomatoes, illustrating that even in our fractured world, stories that celebrate gentleness and warmth resonate deeply.
Rankin’s commitment to showcasing the beauty of cultural diversity shines through the film, highlighting a certain catharsis that emerges when art confronts real-world anxieties. He adeptly creates a space for audience reflection, especially in an era where political and social divisions weigh heavily on many. Rankin’s return to the cinema landscape after the disruptions caused by COVID-19 symbolizes a hopeful resurgence, as he expresses optimism about the communal aspect of filmmaking.
Moreover, this awards season witnesses the North American debut of “Ne Zha 2,” a Chinese animated film that continues to break box office records. The sequel to the original “Ne Zha,” it tells the tale of a young deity confronting destiny while securing the fate of his realm. With projections of earnings pushing towards $1.4 billion, “Ne Zha 2” not only marries artistic expression with commercial success but also defies expectations for animated films by its sheer box office achievements.
Directed by Yang Yu, “Ne Zha 2” is rooted in Chinese mythos, derived from the classic “Investiture of the Gods.” Its success in China, where it has become the highest-grossing film of all time, showcases the potential of animated storytelling to transcend cultural boundaries and find global acknowledgment. As the film opens in over 700 theaters in the U.S., it carries with it the weight of cultural significance, drawing in audiences eager to experience animation illuminated by a rich heritage.
In addition to these feature films, the 20th season of Oscar Nominated Shorts invites cinemagoers to embrace concise storytelling through a collection that highlights the art of the short film. This season features three distinct blocks—Best Live Action, Best Animated, and Best Documentary—allowing viewers the opportunity to sample a variety of narrative styles within a single sitting. This curated experience not only spotlights emerging talents but also celebrates the versatility of film as a medium.
This year’s nominees include a diverse range of themes and styles, from the contemplative “Death by Numbers” to the fantastical “Magic Candies.” Each film represents a snapshot of contemporary issues and human experiences that resonate on both intimate and universal levels. The Shorts program has garnered a loyal following, providing a platform for innovative storytelling, and reinforcing the notion that powerful narratives can be crafted within a limited timeframe.
As new films like “Universal Language” and “Ne Zha 2” make their mark, and short films continue to engage and entertain, the current cinematic landscape shows how art can foster connection in a time of disconnection. Distribution strategies evolving alongside audience preferences signal a reinvigorated appreciation for shared cinematic experiences. In this context, Rankin’s vision and the allure of stories from diverse backgrounds capture the spirit of what cinema can achieve—connecting people through a tapestry of shared experiences, reflections, and emotions. As we approach the Oscars, cinema’s power to inspire hope and unity becomes ever clearer, encouraging filmmakers and audiences alike to cherish the stories worth telling.